The "Dantza-harian" collection provides us with a tool for taking notes about the world of traditional dance in order to bring information to the currently very limited bibliography about dance, discussing untouchable, fenced-in archetypes and reflecting on partial readings of history while opening the door to other possible interpretations.  Acting with the motivation of forming a time of knowledge in continual movement, starting with the deconstruction of established myths about pre-established illusions. Prejudices which make completely abnormal things normal.